Inspired by the 1950’s
greats (Jackie Kennedy, Grace Kelly, Edith Head…) these mini marvels measure just 27 inches tall and are made entirely of fragile papers I have created.
Rear Window 1954
Nobody has mesmerized an audience like the late, great, Grace Kelly.
The talented Edith Head designed this dress for her appearance in the movie “Rear Window”
✣ ✣ ✣
White Christmas (The Movie 1954)
Starring Rosemary Clooney, Bing Crosby, Danny Kaye and Vera-Ellen.
Costume designer the late, great Edith Head.
Rosemary Clooney, as Betty, wore a fabulous black velvet dress.
I have made this black velvet paper dress as a tribute to the wonderful works of Edith Head.
My paper tribute to Donna Zakowska, the talented costume designer of the Emmy winning
“The Marvelous Mrs Maisel”.
This beauty from season 3 episode 5 took my breath away
Working with Paper – A Learning Curve
I have been working with fabric, making clothing, for 50 years and am quite comfortable with this medium. I decided to attempt to use all the skills I had acquired over all those years using paper instead of fabric. I quickly found that there was a definite learning curve.
In construction of the dress, “Blessings” I learned that sewing on the paper, silk sanwa, is like sewing a cloud. It would dissolve in my hands while I was stitching it. I had to keep my hands powdered because any moisture would cause the paper to simply disappear.
I’ve never seen anyone do what I am attempting to do, so there are no classes for me to attend, nobody to share short cuts with me.
I can drape fabric over my dress form and see where I need to cut a pattern into the particular fabric. But paper…..it’s a whole new thing to figure out.
Paper doesn’t drape. Paper has no bias. Paper speaks it’s own language and I’ve had to learn it’s language because it is not going to comply with any rules of fabric. My goal is to make the paper appear as fabric.
(This photo is of a fabric dress I designed and made next to one of my paper creations. It shows the true size of my Couture Confections dresses)
Paper allows no mistakes. An erroneous stitch. I can’t gently tug the stitch out and resew the seam. There is no forgiveness. The holes of my mistake will stay in the paper. An accidental fold, that fold is there to stay.
Some of the Couture Confections you see on my website have been constructed and completely reconstructed 2 or even 3 times. But, when it is right I can do my happy dance!
Nancy Geren Résumé
Nancy’s major in college, during the 1970’s, was theater costuming. Thereafter she was able to secure a job as a fitter and alterations in a shop of couture clothing. During this time, her personal work was featured in Glamour magazine. …